The Australian premiere of the opera double bill "Mary Motorhead/Trade" by composer Emma O'Halloran was presented at Malthouse Theatre. The production received attention following comments made by actor Timothée Chalamet, who expressed a view that "no one cares about" ballet or opera. This statement prompted responses from the opera community.
The double bill features two works based on plays by Mark O'Halloran, delving into intense subject matter and emotional distress, underscored by an amplified chamber ensemble and electronica.
The Double Bill: "Mary Motorhead" and "Trade"
The double bill features two distinct works.
"Mary Motorhead" is a 30-minute, one-woman show set in Mountjoy Prison, depicting a young woman's account of a stabbing incident.
"Trade" explores a transactional relationship between an Older Man and a Younger Man who meet for sex in a hotel setting.
Both operas are based on plays by Mark O'Halloran, the composer's uncle. The intensity of the subject matter and the amplified chamber ensemble, which includes electronica, were noted elements of the performance. The production avoids attempts at levity, with each character experiencing a past leading to emotional distress.
Australian Cast and Creative Direction
The Australian Contemporary Opera Company assembled an all-Australian cast.
Emily Edmonds performed as Mary, portraying the character's intense emotions.
Tenor Callum McGing performed as the Younger Man, conveying insecurity.
Baritone Christopher Hillier performed as the Older Man, exhibiting a range of vocal qualities and emotional depth.
Irish conductor Elaine Kelly, who has premiered these works across three continents, directed the ensemble, which included saxophone and electric guitar. O'Halloran's scores are recognized contributions to contemporary opera.