Luc Besson's 'Dracula' Arrives: A Visually Ornate Retelling Lacking Bite

Luc Besson's new film, 'Dracula,' starring Caleb Landry Jones as Prince Vladimir/Dracula and Zoë Bleu as Princess Elisabeta/Mina Murray, was released in the U.S. by Vertical on February 6. The film is a retelling of the classic gothic novel, featuring a visually ornate 19th-century Paris setting.

Plot Overview

The narrative begins 400 years in the past with Prince Vladimir of Wallachia (Jones) going to war after spending time with Princess Elisabeta (Bleu). Following Elisabeta's murder during a battle with the Ottoman Empire, Prince Vladimir transforms into Dracula, vowing to reunite with his love.

The story then transitions to France in 1889. There, Dracula seeks to find and seduce Mina Murray, who is portrayed by Bleu, suggesting a reincarnation of Elisabeta.

Production and Reception

Screenplay and Direction

The film's screenplay has been described as narratively tedious and contrived, with instances of over-explanation and repetitive dialogue. While director Luc Besson showcases his visual style with bright colors and fantasy concepts, the storytelling has been noted for its lack of emotional depth. Similarities to Robert Eggers’ 'Nosferatu' (2024) have been observed in both style and structure.

Key Performances

Caleb Landry Jones's performance as Dracula is characterized by a mix of giddiness and depravity, and he has been noted for selling Besson's interpretation through charisma.

Christoph Waltz appears as a priest tasked with hunting the vampire, offering discussions on theological and moral themes. His portrayal, however, has been described as understated.

Horror Elements and Critical Assessment

The film's horror-action elements, including digital gargoyles, reportedly overshadow the intended intimacy of the love story. This leads to a finale that has been perceived as silly rather than frightening.

The film received a C- grade in the review, with the overall assessment indicating a lack of suspense and allure.

The film does not provide a compelling reason for another 'Dracula' adaptation amidst the numerous existing versions.