Ray Lawler's "Doll Trilogy" Revived by Red Stitch
Ray Lawler's "Summer of the Seventeenth Doll" stands as a significant Australian theatrical work, lauded for its authentic portrayal of working-class life on stage. Despite its historical status and influence, it is sometimes viewed as a dated piece.
Red Stitch, a St Kilda-based theatre company, is undertaking a revival of "Summer of the Seventeenth Doll" along with its two prequels, "Kid Stakes" and "Other Times." These three plays collectively form the "Doll Trilogy."
Director Ella Caldwell commented on the trilogy's focus:
"The plays are not about national transformation but focus on the specific struggles of a family in a single lounge room during a particular period in Australian history."
The Original: "Summer of the Seventeenth Doll"
The original play is set in 1953 in Carlton, Melbourne. It begins with barmaids Olive and Pearl awaiting the annual layoff arrival of Queensland canecutters Roo and Barney. This year marks the 17th, and ultimately final, instance of Roo bringing Olive a Kewpie doll, signifying the end of a long-standing tradition.
Known for its rich characterizations and emotional depth, "Summer of the Seventeenth Doll" premiered successfully at the Union Theatre (now Melbourne Theatre Company). It subsequently toured Australia and received critical acclaim in London, presented by Laurence Olivier. While a less successful New York premiere and a Hollywood film with unconventional casting followed, the play's enduring reputation in Australia has led to remounts every decade.
Expanding the Narrative: The Prequels
Lawler later expanded the story with two prequels. "Kid Stakes" is set during the original layoff in 1937, and "Other Times" is positioned immediately after World War II. These prequels are more optimistic in tone than "Summer of the Seventeenth Doll." They delve into how the characters' unconventional way of life, in opposition to societal expectations, initially took root and the subsequent challenges of maintaining it.
A Critical Lens on Australian Identity
Lawler's work, though featuring period accents and idiomatic speech, has profoundly influenced Australian culture.
The plays present a subversive and critical view of the national character, depicting vibrant working-class Melburnians living unconventionally outside the conservative norms of the Menzies era.
The portrayal of the war within the trilogy is direct and unromantic. The world depicted is notably matriarchal, with Emma, played by Caroline Lee in the revival, emerging as a central figure.
Immerse Yourself in the Trilogy
Red Stitch's revival offers audiences a unique opportunity to view all three plays consecutively during special Saturday marathon sessions in February and March. This format allows for a deep immersion into the trilogy's intricate themes and character arcs. Individual plays can also be seen during the week.
Caldwell noted that seeing the trilogy provides a deeper understanding of characters like Nancy, Olive, and Emma, highlighting their remarkable resilience.
Actor Ben Prendergast stated that hearing the period vernacular from younger actors is a unique experience, advocating for a disappearing world presented on stage.